From his early long-form generative series “Dragons” on the Tezos blockchain to the highly sought-after “Anticyclone ArtBlocks collection that currently commands a 5 ETH floor, Mapan has a unique way of capturing the hearts and minds of collectors. But many people in the public still don’t understand what generative art even is. Mapan has a unique way of explaining the often misunderstood genre by boiling it down to a piece of paper, a crayon, and a die.
Generative art is a form of art that is created using algorithms and computer code. It is a process where the artist creates a set of rules or parameters, and then a computer program generates the artwork based on those rules. The artist acts as a creator and curator, guiding the program’s output to create unique and original pieces.
Mapan’s approach to generative art is simple yet profound. He begins with a blank piece of paper, representing the canvas on which the artwork will be created. He then selects a crayon, representing the colors that will be used in the artwork. Finally, he rolls a die, representing the random element that will be incorporated into the artwork.
By combining these three elements – the paper, the crayon, and the die – Mapan creates a unique and unpredictable artwork. Each roll of the die determines a specific rule or parameter that the computer program will follow to generate the artwork. The result is a one-of-a-kind piece that reflects both the artist’s intentions and the randomness of the process.
Mapan’s “Dragons” series on the Tezos blockchain is a perfect example of his approach to generative art. Each dragon in the series is created using a set of rules and parameters defined by the artist. The computer program then generates the dragon based on these rules, resulting in a wide variety of unique and intricate designs.
The “Anticyclone ArtBlocks collection” is another highly sought-after series by Mapan. This collection features generative artworks that are inspired by the concept of anticyclones, which are areas of high atmospheric pressure. Each artwork in the collection is created using a set of rules and parameters that mimic the patterns and formations found in anticyclones.
What sets Mapan’s generative art apart is not just the technical skill and creativity involved, but also the way in which he engages with collectors and the wider public. He actively communicates and educates about the process and concept of generative art, breaking down the barriers and demystifying the genre.
Through his explanations and demonstrations, Mapan invites people to appreciate generative art as a unique form of artistic expression. He encourages them to look beyond the traditional notions of art creation and embrace the possibilities offered by algorithms and computer code.
In a world where technology is becoming increasingly integrated into our daily lives, generative art represents a new frontier in artistic exploration. It challenges the traditional notions of authorship and invites collaboration between the artist and the computer program.
Mapan’s work not only showcases the potential of generative art but also raises important questions about the role of technology in the creative process. As the boundaries between human and machine continue to blur, artists like Mapan are at the forefront of exploring the possibilities and pushing the boundaries of artistic expression.
In conclusion, Mapan’s unique approach to generative art has captivated collectors and art enthusiasts alike. Through his simple yet profound explanation of the genre, he has demystified the process and invited people to appreciate the beauty and complexity of generative art. With each new series, Mapan continues to push the boundaries of artistic expression and inspire others to explore the potential of technology in art creation.
